Wednesday, March 13, 2024
Tuesday, March 12, 2024
FINAL FILM- Through Her Eyes
Monday, March 11, 2024
Postproduction: First Draft Feedback- "Through Her Eyes"
Introduction
Welcome dream team! Today in class, our production team presented our first draft to our instructor to gain new insights and words of advice from her to improve the quality and production of our film. Numerous advantageous tips were given to us, which gave us a clearer vision of what we originally had in mind, and better ways to express the message that we originally wanted to portray to our audience which was to: be mindful of surroundings consistently, mental health neglection could bring harmful consequences to everyone, and as Maya Angelou says, "when someone shows you who they are, believe them!" To add, our instructor gave additional perspectives that we intend to later apply to our film during our editing process, regarding the filters, sound, dialogue clarity, and music of our film, as well as a different title (which would suit our movie better) and a title cover that would match the atmosphere of our film as opposed to a black screen with text of our movie title. Considering her words, we jot down notes of the key changes that she recommended, which we would then begin improving our film after coming back from our spring break away from our school, as we would be refreshed, energized, and prepared to embark on our journey to the final stage of our filmmaking process (post-production). Below displays images of the main points that were covered during our discussion with our instructor.
Friday, March 8, 2024
Postproduction: First Draft- Through Her Eyes (Previously called "Trust Fall")
Introduction
Welcome dream team! This is our production team's first draft of our film "Through Her Eyes, which was originally titled, "Trust Fall." The reason our movie originally had that title was because the notes we annotated from our instructor's film tips (from the previous blog: idea change- the beginning of "trust fall"), she recommended that our film's hook be something captivating and mysterious such as having our film's antagonist, Christine, as her younger self in a park, picking flowers, and chanting the words "she loves me, she loves me not," and then on her final petal she would utter "she better love me!" This was meant to keep our audience at the edge of their seats. Then, following that scene, our group was meant to film young Mercedes running up behind her and asking if she would like to play the game "Trust Fall" with her, in which Christine would eagerly accept her offer while repeatedly reassuring that Mercedes should trust her (which was meant to introduce the manipulative nature of Christine's character before her bizarre actions occurring later in the film. Towards the end, our group decided to discard our original idea of showing a plot twist of Mercedes being the villain, and then manipulating her friend Lizzy to trust in her plan to torment Christine after knocking her out unconscious. Ultimately, the goal of our original idea for this draft was to depict a perfect loop shifting between different ways one can manipulate others through control, violence, threats, and emotions. Below shows our final decision when creating this film, as our groups only had limited time to complete this task due to certain technical difficulties and our personal schoolwork schedules (we finished recording our footage two days before this assignment's deadline). The lesson we gained from this task was to take heed to tips and criticisms from others, time management, and being open to new avenues and approaches that may not be what was originally intended/planned. Enjoy!
Thursday, March 7, 2024
Postproduction: Sound Editing Decisions
Introduction
Welcome Cambridge dream team! Our group has learned the crucial impact that sound could make on film, and with that knowledge that we have previously gained, we realized that our decisions for music, dialogue, and sound effects are essential in enhancing the quality ad coherence of our film. therefore, this post documents a few of the practices of sound use that we incorporated in our filmmaking process, which mainly consisted of using sound editing software, Garage band, to make the ambient/ incidental music in the videos below, in addition to Cap Cut's free, non-copyrighted music and sound effects. In terms of the dialogue in our film, we exclusively used conversations from raw footage, as we did not plan to use voiceovers. Overall, our group managed to effectively navigate and manipulate the features and functions available to us, to our advantage, and this task was relatively short to complete.
Garageband:
(First Decision)
The second loop was used in the scene with Mercedes and Lizzy having a discussion.
(Second Decision)
Reflection
All in all, when our group added the music and sound effects displayed in the videos and images above, our film's first draft improve significantly, and while our group doubted that our film would be satisfactory (as our product without sound or much editing, the quality was not at its best), however, when the music and minor sound effects were added to our film, it make all the different and our team, instructor, and peers enjoyed its final product. The video to our team's first draft is casted in the next blog!
Wednesday, March 6, 2024
Postproduction: Visual Editing Decisions
Introduction
Welcome Cambridge dream team! In this post, our production team began our editing process after filming all the shots necessary to piece together the scenes that we have captured so far, and below shows a range of the visual decisions that were made in preparation for later sound, transitions, and special effects that will be added on. Our film used numerous of the features and functions available on CapCut's editing software such as text-overs, editing in the logo (inserting images into the film), glitches, and fades/ black screen. Below are photos and images that demonstrate our group's usage of the CapCut features accessible to editors.
Our group used our camera editing application to apply shadows to this image, and with brighter lighting to emphasize small details and different colors in the drawing, and background, for a bright, vibrant tone- which contrasts with the horrifying reality of the film.Monday, March 4, 2024
DAY TWO- Filming Behind the Scenes
Introduction
Welcome Cambridge dream team! Following the previous blog post, our group resumed filming shots for our film, in which this blog post includes the journey behind creating shots for scenes one and two from our planned shot list. The first shots of Christine in her room were recorded over the weekend (before our first draft's deadline) at my house, in which I printed countless photos, and improvised countless love diaries and poems about Mercedes, in which some of the diary entries plastered on the wall reveal hints about background information we could not include into our final film (because the shots were too long and would exceed the two minute limit). Therefore, I decided it would be best to write about things such as Christine taking great pride in stealing Mercedes's plushie and bracelet, as well as a love poem adoring Mercedes, however, in bright red marker reads "I must end her" as in the poem Christine shared her hatred and jealously towards Lizzy consistently being around Mercedes. These subtle, yet powerful hints reveal characteristics about the antagonist before she is introduced. Next, once our team was reunited in our media studies class, our instructor allowed extra time to craft and film any remaining scenes necessary for our first draft. At this point, our group's only remaining duty was to complete recordings for the bathroom scene, in which Christine lustfully watches Mercedes pass by her to go to the bathroom, which caused Mercedes to grow anxious. Then, upon exiting the bathroom, Christine is shown following after her in a hoodie, while trying to maintain a mysterious, low-key identity to avoid being caught by any potential witnesses of her stalking. It is noteworthy to mention, due to the excessive background noise in the following clips, our group intended to quickly record the bathroom shots to avoid filming possible students who are not comfortable with being recorded, or are making noises that may take away from our focus or the shots we were capturing.
Friday, March 1, 2024
DAY ONE- Bloopers
Introduction
Welcome Cambridge dream team, this post will cover our production team's behind the scenes content, including our failed attempts, all in preparation for our future film!
Thursday, February 29, 2024
DAY ONE- Filming Behind the Scenes
Wednesday, February 28, 2024
Cast and Crew
Introduction
Welcome Cambridge dream team! Here at Milagros Studios, each of our members play a significant, crucial role in this filmmaking process, and without one, all things would fall. To explain, each member of our group uses their personal skills and strength to complete their portion of the work, which in turn, all of our collective efforts are brought together to create our ultimate product. For example, editing skills have always been Peyton P's forte, and we decided that it would be best for her to be dubbed as the chief editor as well as the cinematographer, because for most preliminary exercises that included working the camera, she has been responsible for recording and crafting each shot the then later piece them together. To add, considering Lexi M's strengths, our team decided it was best for her to achieve the role of the production designer, as she prefers to improvise certain actions on set that would enhance the overall scene, and to give her the role of wardrobe/ makeup artist, as she is the lead actress in out film; she concurred with each role, and she agreed as those were some of her many personal strengths. Marley B has always been a powerhouse in ensuring all scenes be captured in a timely, structure manner, while also instructing Peyton P how to operate and move the camera, so that each shot corresponds and flows with its following scenes. Finally, I volunteered to be the screen and film writer, as my personal elements and hobby is writing and I enjoy organizing and structuring information, which is crucial for planning to film shots, to look back and refer to written information, which helps to avoid possible confusion, wasted time, or impromptu scenes that may not flow together. Then, once our roles were established and each of us were satisfied with out positions, we immediately begun planning our next step.
Production Manager | Director | Film writer | Cinematographer:
| Production Designer | ||
-Marley B
Responsible for budgeting, production process and time management, purchasing materials, navigates technical aspects of filming (if technology is involved), and communication amongst members. | -Khloe R
Responsible for developing the script, managing the time increments of when each shot is captured, decisions in location, improv on set, and collaboration with actors | -Khloe R
Responsible for adapts the story or developed by the production team into a plot, to then be translated into a script by the screenwriter(s) in the future, determining the storyline or backstories, traits, and characteristics of the characters, the order of the plot in the film, and planning of each shot. | -Peyton P
Responsible for creative production of the film’s visuals, atmosphere, Mise-en-Scene described in the storyboards created, the artistic elements in recording each shot, the imagery, focus, and emphasis of certain elements in each shot, positioning of the camera to display different angles, shot sizes, framing, lighting, and capturing each shot to complement the story | -Lexi M
Responsible for all creative aspects of design that goes into the entire film such as the aesthetics of the visuals, the color palette and how it creates mood/ tone, an develops genre in film, using props and objects of significance to highlight key moments of importance, location aesthetics, graphic design (the shapes, structure, and dynamics of each shot), the pacing of each shot, and corresponding the structural elements of film with the characters and their hair/ makeup. | ||
Casting Director | Wardrobe and Makeup artist. | Camera Operator | Editor | Screenwriter | ||
-Marley B
Responsible for overseeing director and film writer to ensure proper representation, professional search and casting or actors and actresses, and studying the script to use as reference for casting each actor/actress in their character roles. | -Lexi M
Responsible for aesthetics of actors/actresses, costume design, or purchasing costumes, makeup application on set, hairstyles included for each character, and color schemes. | -Marley B
Responsible for operating the technical positioning of the camera, planning/scene rehearsals, following the storyboard/ planning sheet as reference for each shot, ensuring each shot is taken and captured as planned, assembling equipment, adjusting the camera, and framing for shots, and camera manipulation. | -Peyton P
Responsible for transitions, editing styles (graphic, spatial, temporal, etc.), visual editing (if necessary), using raw footage to create a sequence of cohesive shots, crafting each scene into a full product, editing artificial sound, music, sound effects, and/or internal monologue (Automated Dialogue Replacement), special effects or texts on-screen, and incorporating all of the cast/ crew members. | -Lexi M -Peyton P -Marley B -Khloe R
Responsible for film discussion, theme of film, film planning, constructing characters and their dialogue/ actions, documenting how each scene will be captured, when each will take place, and what the scene will incorporate, producing a full script, noting details of each scene and their stage directions, develop plot as each scene proceeds, pitch the film idea and execution to an instructor or peers. | ||
The cast of the film and the character they play:
-Lexi M as Mercedes (main character) -Marley B as Mercedes’ friend (Lizzy) -Khloe R as Christine (obsessive friend) -Marley B as Mercedes’ mother -Khloe R as Christine’s mother -Lexi M as younger Mercedes -Khloe R as younger Christine |
Sources:
-Recruiting Resources: How to Recruit and Hire Better. (2016). Production Manager job description template | Workable. [online] Available at: https://resources.workable.com/production-manager-job-description.
-breezy.hr. (n.d.). Makeup Artist Job Description | Breezy HR. [online] Available at: https://breezy.hr/resources/job-descriptions/makeup-artist.
-Rowland, O. (2023). Camera operator: Job Description. [online] targetjobs.co.uk. Available at: https://targetjobs.co.uk/careers-advice/job-descriptions/camera-operator-job-description.
-National Careers Service (2023). Screenwriter | Explore careers | National Careers Service. [online] nationalcareers.service.gov.uk. Available at: https://nationalcareers.service.gov.uk/job-profiles/screenwriter.
-Bika, N. (2016). Casting Director job description. [online] Recruiting Resources: How to Recruit and Hire Better. Available at: https://resources.workable.com/casting-director-job-description#:~:text=Studying%20script%20to%20understand%20all [Accessed 8 Apr. 2024].
-ScreenSkills (2022). Casting Director in the Film and TV Drama Industries. [online] ScreenSkills. Available at: https://www.screenskills.com/job-profiles/browse/film-and-tv-drama/development-film-and-tv-drama-job-profiles/casting-director/.
-content.external (2022). Film Director job description. [online] Recruiting Resources: How to Recruit and Hire Better. Available at: https://resources.workable.com/film-director-job-description/#:~:text=What%20does%20a%20Film%20Director.
-Flexible, F. (2022). What does a screenwriter do? [online] flexible.falmouth.ac.uk. Available at: https://flexible.falmouth.ac.uk/resources/what-does-a-screenwriter-do#:~:text=A%20screenwriter%20is%20essentially%20a.
-Leighfield, L. (2022). What does a Cinematographer do? | Boords. [online] boords.com. Available at: https://boords.com/blog/what-does-a-cinematographer-do.
-AGCAS editors (2017). Production designer, theatre/television/film job profile | Prospects.ac.uk. [online] Prospects.ac.uk. Available at: https://www.prospects.ac.uk/job-profiles/production-designer-theatre-television-film.
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